by Nomad
American author Thomas Wolfe's travels through 1936 Nazi Germany comprised part of his posthumous novel. Excerpts from the book reveal the ways a society can adapt to the unstoppable approach of a brutal regime.
The Shortcomings of "Genius"
Last Saturday night I saw a film called "Genius." It was, to put it as nicely as possible, not as good a film as it should have been.
The germ of the idea was worthy enough, to be sure. The point of the film, I suppose, was that often genius relies on hard and cold self-evaluation. Oftentimes, the artist is the last person capable of this type of hard-nosed discipline.
The germ of the idea was worthy enough, to be sure. The point of the film, I suppose, was that often genius relies on hard and cold self-evaluation. Oftentimes, the artist is the last person capable of this type of hard-nosed discipline.
The other side of genius is knowing what to leave out, what to excise in order to enhance the focus and strength.
Fair enough, but in an age where the only rule of communication is trying to keep it down to 144 characters, it seems to be a bit of lesson too well learned.
Fair enough, but in an age where the only rule of communication is trying to keep it down to 144 characters, it seems to be a bit of lesson too well learned.
To be honest, until I watched the movie, I really hadn't known much about the life of the writer Thomas Wolfe. He never made it on my reading list but I gather that in style he was a forerunner to the later Beat Generation's Kerouac.
Actually, I kept getting him confused with other similar names. Thomas Mann and the author and journalist, Tom Wolfe, a Republican dainty who wears a white tie, white homburg hat, and two-tone shoes.
Actually, I kept getting him confused with other similar names. Thomas Mann and the author and journalist, Tom Wolfe, a Republican dainty who wears a white tie, white homburg hat, and two-tone shoes.
